
We, Internally Displaced Persons
by Yevhenii Monastyrskyi
When we made the decision to leave our homes in the midst of a war zone, each one of us consciously chose to remain within the boundaries of our own nation. This choice necessitated a shift from our local identities to our national ones; perhaps more accurately, it involved allowing our national identities to encompass and overshadow our local ones.

Slovo: More than a word
by Ada Wordsworth
As we looked up at the plaque listing the names of the writers who had lived here, an air raid siren sounded around us. The sound intermingled with children’s voices in the playground in Slovo’s yard. Many of the writers whose names are on the plaque outside Slovo have been lost to time—their works are unknown even to the most learned of Ukrainian scholars.

Unlocking Ukraine: Embroidered QR Codes as Cultural Keys
by Alexandra Keeler
When Russia launched its full-scale invasion of Ukraine, Kyiv-born master embroiderer Tetiana Protcheva turned her talents toward guerrilla art activism. Blending ancient Ukrainian folk art with cutting-edge technology, Protcheva creates embroidered QR codes loaded with digital resources detailing Ukrainian culture. “My mission is to go around the world and show people Ukraine through embroidery,” she says.

My world stands on pillars
by Kateryna Iakovlenko
Translated from the Ukrainian by Kate Tsurkan
He's nearly thirty, tall, dark-haired, and always smiling. His name is Bohdan, and he was born into a priest's family. He's an artist working with contemporary art, and just a few months ago, you could see his work at the Hanenki Museum, which is located in the former mansion of a sugar beet magnate and collector in the very center of Kyiv. In the military, he goes by the call sign Pillar.