This war is forever–you hear, Sofi?
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

This war is forever–you hear, Sofi?

by Khrystia Vengryniuk
Translated from the Ukrainian by Yulia Lyubka and Kate Tsurkan

If we forgive, forget, and swallow it down again, as in 2014, our children will have to live through the same things we are going through now; only they will play the leading roles. This evil never sleeps, so our descendants must be constantly ready for everything. Unlike us, who neglected the words of Taras Shevchenko, Mykola Khvylovy, and Vasyl Stus and missed, overlooked, and underestimated them.

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Disparate and Distressed Dames: A Review of Ivana Dobrakovová’s Mothers and Truckers (2022, Jantar Publishing)
Book Review Kate Tsurkan Book Review Kate Tsurkan

Disparate and Distressed Dames: A Review of Ivana Dobrakovová’s Mothers and Truckers (2022, Jantar Publishing)

Reviewed by Anna West

It is the essence of a wandering mind that Dobrakovová captures so aptly. The stories read like confessionals and are told in long train-of-thought clauses separated by commas, with some sentences taking up half the page or more. The stylistic choice helps to pull the reader into the obsessive thoughts of our narrators.

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How Russia’s war in Ukraine has changed photography
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

How Russia’s war in Ukraine has changed photography

by Kateryna Sergatskova

Open the online galleries of international agencies like Getty Images or Associated Press, and you'll see that most photographers in Ukraine capture the remnants of missiles, destruction, corpses, and funerals. War forced wedding photographers to capture funeral processions and fashion photographers to take photos of soldiers in the trenches.

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Archives, decolonization, and the Ukrainian East: An Interview with Lyuba Yakimchuk
Interview Kate Tsurkan Interview Kate Tsurkan

Archives, decolonization, and the Ukrainian East: An Interview with Lyuba Yakimchuk

Interviewed by Kate Tsurkan

“I used to find working in the archives uninteresting until I started digging deeper into Mykhaylo Semenko’s life story. You probably know he was a leading figure of Ukrainian Futurist poetry who was shot dead in Kyiv in 1937. The search for documents relating to his life sometimes resembles an investigation.”

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A Review of Bianca Bellová’s The Lake (2022, Parthian Books)
Book Review Kate Tsurkan Book Review Kate Tsurkan

A Review of Bianca Bellová’s The Lake (2022, Parthian Books)

Reviewed by Anna West

Bianca Bellová’s The Lake, translated into English by Alex Zucker, follows Nami as he navigates childhood and young adulthood in a fictitious land made brutal by environmental degradation and Russian occupiers. The Czech author, who grew up in communist Czechoslovakia during the so-called period of normalization in the 1970s, is known for her works that explore themes relating to the communist era.

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Life in Switzerland, literary scandals, and helping Ukrainian refugees: An Interview with Oles Ilchenko
Interview Kate Tsurkan Interview Kate Tsurkan

Life in Switzerland, literary scandals, and helping Ukrainian refugees: An Interview with Oles Ilchenko

Interviewed by Olena Lysenko

“Europeans have already forgotten the reality of war and are very afraid of any form of violence, so they always try to come to an agreement. But it is impossible to peacefully come to an agreement with a nation like Russia. This situation has impacted everyone to a certain extent, and it is no longer possible to say that nothing is happening.”

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A New Wedding Ring
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

A New Wedding Ring

by Iryna Tsilyk
Translated from the Ukrainian by Tetiana Savchynska

I have a recurring dream that has been haunting me in different variations for many years. In it, two people are walking side by side across a vast and snowy field. They carry backpacks (or rather, emergency go-bags) including all that remained from their former peaceful lives. The woman walks ahead of the man, and his big footprints cover hers so that it seems as if just one person has made their way across the field.

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In the Presence of a Miracle
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

In the Presence of a Miracle

by Lyubko Deresh
Translated from the Ukrainian by Dmytro Kyyan

Before the seminar on NOMADLAND, he wrote to me: "Despite everything, I want us to do our work and to do it well." However, it seemed that fate had destined him to face the war head-on for a second time. My mom's call at 5:35am on February 24 woke me from a restless sleep. Before picking up the phone, I already knew what I was about to hear. "Sonny, the war has begun," my mom said through tears. "They are bombing Kyiv."

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On Being a Good Neighbor
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

On Being a Good Neighbor

By Agata Tumiłowicz-Mazur

I unfold a map in my mind and spread its crumpled edges wide. I know all my neighbors by heart, and I can say a lot about them. This storytelling is much like sitting down at a spinning wheel and beginning to work with a ball of yarn. You draw out long fibers: some made of stereotypes, followed by the histories you’ve been taught, others from accounts of your loved ones, and, finally, some you’ve experienced yourself.

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A Review of Natalka Bilotserkivets’ Eccentric Days of Hope and Sorrow (2021, Lost Horse Press)
Book Review Kate Tsurkan Book Review Kate Tsurkan

A Review of Natalka Bilotserkivets’ Eccentric Days of Hope and Sorrow (2021, Lost Horse Press)

Reviewed by Sandra Joy Russell

Emerging as part of the visimdesiatnyky (“eightiers”) generation of Ukrainian poets, Bilotserkivets’ developed her poetic voice during the transitional moment of perestroika—the Soviet Union’s attempt at political and economic reform just prior to its collapse in 1991. Much of her writing reflects this increasingly open, and thereby volatile, political moment.

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Remembering Kharkiv
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

Remembering Kharkiv

by Olga Breydo

What I do not know during that summer of 2020 is that nearly two years later, I will revisit this paragraph with regret for remembering Kharkiv instead of returning there when I had the chance. For imagining instead of experiencing. Planning instead of doing. And then I will write something again, but this time it will beis a longer piece.

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Happy Birthday
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

Happy Birthday

By Maryna Prykhodko

My heart sinks. I forgot. For a moment, I forgot—not about the war, which is impossible to forget, but about how close we are to death. It's right there, just tens of kilometers away. It feels wrong to even look at it. The enemy. The country that is trying to kill us. It's so close, looming over my beloved Kharkiv. What gives them the right?

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A Time for Irises
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

A Time for Irises

by Myroslav Laiuk
Translated from the Ukrainian by Daisy Gibbons

How does our memory work? What does it choose? How do associations arise? How is trauma born and how does it mature? People will be going to therapists and psychiatrists, and even now Ukraine doesn’t have enough specialists in these professions. But first and foremost, each person will have to answer this question alone; many times; late at night.

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“Ukraine has never left me”: An Interview with Dmytro Kyyan
Interview Kate Tsurkan Interview Kate Tsurkan

“Ukraine has never left me”: An Interview with Dmytro Kyyan

Interviewed by Kate Tsurkan

Ukraine entered my life one day in the hot summer of 1980. I was in the Soviet version of a jeep car with my father—speeding up a dusty road through the fields of God knows where in Kazakhstan—when I first heard him sing ‘Chervona Kalyna’. He wasn’t singing the song too loudly, as if it was reserved for himself and no one else…

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“It will be wonderful if I no longer have a need to write”: An Interview with Yuriy Tarnawsky
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

“It will be wonderful if I no longer have a need to write”: An Interview with Yuriy Tarnawsky

Interviewed by Justina Dobush

I fought against the “rich vocabulary” theory from the beginning. I see no reason why it is necessary to have a large vocabulary to write well. After all, if you don’t know how to use words correctly, it doesn’t matter how many you know. You can use few words, but in a good way, or vice versa—use a lot of words badly.

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Poppies and Hedgehogs
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

Poppies and Hedgehogs

by Kateryna Iakovlenko

Seeing the photos of my house sent by my neighbors, I saw that nothing was left. I wanted to imagine that there might be my refrigerator where I had left a bottle of pét-nat wine from Odesa. I thought it would be a lovely “welcome home” drink, after all. Instead, only emptiness awaited me–dust and ashes.

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Ortigia, the Sea, and War
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

Ortigia, the Sea, and War

by Natalia A. Feduschak

According to another book I read, there was once a thriving lemon trade between Sicily and the western Ukrainian city of Lviv, now home to hundreds of thousands of Ukrainian refugees. I’ve thought of that trade when I purchase lemons from my regular vendor here at the local bazaar, although learning more about it doesn’t hold the interest it once might have.

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The Language of Home
Letters & essays Kate Tsurkan Letters & essays Kate Tsurkan

The Language of Home

by Mariya Mykhaylova

Russian will always be my mother tongue, but Ukrainian is my homeland’s tongue. For me, at this moment, it is not about saying no to Russian–it is about saying yes to Ukrainian. I do not know what my future holds. For now, I stick to learning Ukrainian day by day as a way to feel whole.

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